In a board game, you need rules for how to place, move, handle the pieces on the board. In a card game, you need rules for dealing, holding, playing, reading the cards.
In a roleplaying game, let's say that you need rules for talking: what should we talk about? How should we talk about it? How should we respond to what others say?
In Candyland, you have just a single simple rule for moving your piece. In Chess, though, you have different rules depending on the situation. The different pieces move differently, there are rules for pieces blocking and capturing each other, there are special case rules like castling, check, and en passant.
Same thing in rpgs. The game's rules for talking can change depending on the situation.
For example, you can think of Apocalypse World's basic moves as being like the different ways that Chess pieces move.
A pawn steps forward one space; when you have your character attack someone, ask the other player whether their character's going to stand up to you or back down.
A bishop slides along a diagonal; when you have your character act under fire, the MC offers you a bad deal or tells you how your character falls short.
So that's my basic proposal: in games where talking together is the medium of play, you can and should have different rules for talking about different subjects.
Thanks for listening!
@lumpley That was a nice mini blog post and encapsulates not only some game theory but some interesting philosophical bits in there too.
...hell, it is all philosophy when you think about it.
Other games where talking together is the medium of play:
- I Packed My Grandmother's Trunk
- 20 Questions
- Playing Guessing Laughing (http://lumpley.com/index.php/window/installment/57)
- Encore, if you count singing as talking
- Any number of other Victorian parlor games
- Any number of other Surrealist party games
(appendix i) #rpgTheoryToots
I have a further proposal, which is that roleplaying games draw on the tradition of what-if wargames on one hand, sure, but also draw on the tradition of Surrealist exquisite corpse games on the other hand.
Casting rpgs as conversations, they way I do, highlights the latter, at perhaps the expense of the former.
(appendix ii) #rpgTheoryToots
@lumpley The name of the combined wargame should reflect it too:
Eat Poop You Maggot!
Cats Over Dien Bien Phu
Naked Came the Advanced Squad Leader
Hedwig and the Angry Inchon
@lumpley Have you explored Victorian parlour games? (e.g. http://www.victoriaspast.com/ParlorGames/parlor_games.htm) These frequently have assigned roles which proscribe modes of speech and action
@restlesshead I have, just a little. We have a nice little book of them that I like to go to for inspiration sometimes.
@lumpley I don't feel we theorise enough from a perspective of games-as-talking. There's a lot of good story theory from screenwriting, which takes a precedent (through Robin D. Laws, I expect). I wrote this almost two years back about the parallels between RPGs and medieval storytelling: https://killscreen.com/articles/role-playing-games-are-just-like-medieval-oral-culture/
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