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**Rob Christopher** @randomcha@mstdn.social · 3d *

Rob Christopher @randomcha@mstdn.social

3 things about Aaron Schimberg’s A DIFFERENT MAN [2024]

1. Watching a how-to video on whistling while chopping onions.
2. The peeling as viewed in a mirror.
3. Brilliant karaoke of “I Wanna Get Next To You.”

The image depicts three people in an interior setting. In the foreground on the left, a man with short dark hair and a leather jacket sits thoughtfully with his hands clasped under his chin, looking downwards. Behind him, a woman with shoulder-length red hair, wearing a shiny green jacket, leans over, looking toward the man. To the right, another man is sitting on a couch with a plaid pattern; he has distinctive facial features and is dressed in a brown, short-sleeved shirt with a polka dot tie. The background is dimly lit, with part of a ladder and a cupboard faintly visible.

#3things #movies #newyork

**Rob Christopher** @randomcha@mstdn.social · 5d *

5d *

Rob Christopher @randomcha@mstdn.social

3 things about Faith & John Hubley’s EVERYBODY RIDES THE CAROUSEL [1976]

1. Repeatedly throwing the spoon on the floor.
2. Happy masks, doubtful inner faces.
3. An unusual trick-or-treater.

The image depicts an interior scene with a whimsical depiction of a large, abstract bird-like creature, outlined in red, with floral motifs around its head. It stands in a kitchen near two people who appear alarmed. The person on the right holds a piece of paper, and the person on the left clutches them, both with expressions of concern. The room contains a dark-colored trash can on the left and a window with four panes on the right, allowing faint light to enter. The background is composed of pale, muted colors, creating a soft, dreamlike atmosphere.

#3things #movies #animation

**Rob Christopher** @randomcha@mstdn.social · 6d *

6d *

Rob Christopher @randomcha@mstdn.social

3 things about Aaron Wertheimer’s NOT IF I SEE YOU FIRST [2025]

1. “We actually worked with someone from NASA on the alien ejaculate.”
2. Big Red interlude.
3. His identical twin brother is a disembodied head.

The image shows two individuals sitting on a brown leather couch in what appears to be a living room. The person on the left is wearing a navy blue polo shirt and beige pants, with their legs crossed and gesturing with their right hand. The individual on the right is wearing a tie-dye shirt featuring a colorful circular design with a skull in the center, along with black shorts. In front of them, there is a small table decorated with a ceramic vase and a few decorative items. The background suggests a home interior with wooden railings and soft lighting.

#3things #movies #comedy

**Rob Christopher** @randomcha@mstdn.social · Mar 23 *

Mar 23 *

Rob Christopher @randomcha@mstdn.social

3 things about Mervyn LeRoy’s HOME BEFORE DARK [1958]

1. Compulsive smoking.
2. A bank account to which she does not have access, doesn’t even know what bank holds the account.
3. She insists on the Cornet hairstyle, the one her husband has picked out for her.

The black-and-white image depicts a woman with light-colored hair standing beside a dresser, looking downwards. She appears to be wearing a belted trench coat. The dresser is cluttered with various items, including bottles and a cloth. Behind her, a large mirror reflects her image, and one can see a man seated on a bed in the background, appearing out of focus. The room is simply furnished, with a textured wall and some framed artwork hanging on it.

#3things #movies #jeansimmons

**Rob Christopher** @randomcha@mstdn.social · Mar 17 *

Mar 17 *

Rob Christopher @randomcha@mstdn.social

3 things about Michael Shannon’s ERIC LaRUE [2023]

1. That “new Bible” smell.
2. A box of Our Family brand cereal.
3. “I saw the inside of those boys.”

The image shows a person standing in a grocery store aisle, holding a box of cereal against their chest. The aisle is lined with shelves fully stocked with various cereal boxes in different colors and designs. The individual is wearing a casual gray shirt and appears to be looking directly at the camera. In front of them, there is a blue shopping cart. The atmosphere is typical of a supermarket, with bright fluorescent lighting and neatly organized products.

#3things #movies #gunviolence

**TamaraPNW** @tamarasellman@social.seattle.wa.us · Mar 14

Mar 14

TamaraPNW @tamarasellman@social.seattle.wa.us

#3Things for FRI, Day of Rose & Vanilla
1. Spring means baby irises and giant weeds
2. Drove home from a gig last night under a cloudless sky and a gorgeous full moon
3. Finally getting a hike in today!

**Rob Christopher** @randomcha@mstdn.social · Mar 13 *

Mar 13 *

Rob Christopher @randomcha@mstdn.social

3 things about Fernando Ayala’s THE BITTER STEMS [1956]

1. Looking through the window of the train into the past.
2. A strategically loud orchestra.
3. Shallow planting.

he image is a black-and-white scene featuring a man in an office environment. The man is in the foreground, wearing a light-colored dress shirt and a striped tie. He appears to be engaged in conversation, with a serious expression on his face. Behind him, a wall of bookshelves filled with books and various items adds depth to the scene. The lighting is dramatic, casting shadows that enhance the intensity of the moment.

#3things #movies #filmnoir

**Rob Christopher** @randomcha@mstdn.social · Mar 12 *

Mar 12 *

Rob Christopher @randomcha@mstdn.social

3 things about Brian Levant’s THE FLINTSTONES [1994]

1. Kids playing in Jurassic Park.
2. He ignores his mother-in-law and unties the pet dino.
3. The invention of concrete.

#3things #movies #ElizabethTaylor

**Rob Christopher** @randomcha@mstdn.social · Mar 7 *

Mar 7 *

Rob Christopher @randomcha@mstdn.social

3 things about Steve De Jarnatt’s MIRACLE MILE [1988]

1. They choose to spend their last moment’s eating at Canters Deli and who can blame them?
2. Dying at the bottom of an escalator.
3. Tar pit crash.

The image shows a night scene outside a diner called "Johnie's Coffee Shop Restaurant," featuring a prominent red neon sign with the restaurant's name. To the left, a neon sign of a smiling figure holding a large burger is illuminated. Beneath it, a yellow neon sign states "OPEN 24 HOURS." Below the neon signs is a row of newspaper vending machines. In the foreground, a person in a shiny pink dress is walking on the sidewalk, carrying a large bag. At the upper right, an illuminated sign displays the numbers "12:16" in bright amber lights. In the background, a person in a light-colored coat walks past a small strip of shops.

#3things #movies #losangeles

**Rob Christopher** @randomcha@mstdn.social · Feb 26 *

Feb 26 *

Rob Christopher @randomcha@mstdn.social

3 things about John Frankenheimer’s SEVEN DAYS IN MAY [1964]

1. “I’ll make you two promises: a very good steak, medium rare, and the truth, which is very rare.”
2. The senator refers to Jiggs’s collection of military medals, ribbons, and badges as fruit salad.
3. A few laps in the pool followed by a cigarette.

The black and white image shows a scene with three men in what appears to be an office or meeting room. In the foreground, the man on the right, dressed in a checkered suit, holds a telephone receiver to his ear with a focused expression. His hand is on a rotary phone, and there's a twisted cord visible. On the desk, various items are scattered, including papers, a picture frame, and a metal carafe. In the background, two men sit, both in suits, with one appearing to hold a document. The room is adorned with tall, heavy curtains framing two large windows. The image captures a moment of concentration and intensity.

#3things #movies #coldwar

**Rob Christopher** @randomcha@mstdn.social · Feb 24 *

Feb 24 *

Rob Christopher @randomcha@mstdn.social

3 things about Jûzô Itami’s TAMPOPO [1985]

1. Passing the yolk back and forth.
2. The pork slices must be 3mm thick.
3. Spaghetti etiquette.

The image shows two individuals eating noodles with chopsticks in an indoor setting. On the left, a woman with dark hair tied back is wearing a white sleeveless blouse. She is closely observing the man next to her while raising noodles toward her mouth. On the right, a man wearing a suit with a white shirt and a striped tie is slurping noodles, his eyes closed, and his expression focused. They are situated in a kitchen area with a beige tiled backsplash visible in the background.

#3things #movies #japan

**Rob Christopher** @randomcha@mstdn.social · Feb 23 *

Feb 23 *

Rob Christopher @randomcha@mstdn.social

3 things about Gints Zilbalodis’s FLOW [2024]

1. Collecting a pile of fishes.
2. The bird ascends into space.
3. A basket of shiny objects.

The image depicts an animated scene featuring two animals in a forested setting. In the foreground on the left, there is a large, brown animal resembling a capybara. Its body is facing left, but its head is turned toward the right side of the image. Beside it, to the right, is a smaller, dark-colored cat with wide, attentive eyes, standing on its hind legs. The cat is holding onto a large handlebar, wrapped in a textured material, positioned between the two animals. In the background, a wooded area is visible, characterized by a mix of sunlight filtering through the dense canopy of green trees. The scene conveys a serene, natural environment.

#3things #movies #animation

**Rob Christopher** @randomcha@mstdn.social · Feb 11 *

Feb 11 *

Rob Christopher @randomcha@mstdn.social

3 things about Zucker/Abrahams/Zucker’s TOP SECRET! [1984]

1. “Nick, I’ve tried everything: the embassy, the German government, the consulate. I even talked to the U.N. ambassador. It’s no use, I just can’t bring my wife to orgasm.”
2. A caravan of vehicles going around in circles.
3. Boots on the desk.

two men sitting on the edge of a bunk in a prison cell; the one on the right is a young man wearing prison denim and the one on the left is a man in a suit with a giant box on his lap, which is labelled The Anal Intruder

#3things #movies #comedy

**Rob Christopher** @randomcha@mstdn.social · Feb 9 *

Feb 9 *

Rob Christopher @randomcha@mstdn.social

3 things about Walter Salles’s I’M STILL HERE [2024]

1. Singing along to Tom Ze in the car.
2. Rubbing Coca-Cola onto their skin at the beach.
3. Escorting her from the police barracks, the young soldier tells her, “I want you to know I don’t approve of this.”

The image portrays a close-up view of a car with a focus on its rear window. A person is sitting inside, visible through the car’s window. The person has a serious expression and looks directly at the camera. Sunlight partially illuminates their face, creating contrasts of light and shadow. The car is white and features a glossy finish. The interior appears somewhat shadowed, with another figure faintly visible behind the main subject. The background beyond the car window is out of focus, ensuring the primary emphasis remains on the person inside the vehicle. The image has a warm tone due to the natural light.

#3things #movies #waltersalles

**Rob Christopher** @randomcha@mstdn.social · Feb 7 *

Feb 7 *

Rob Christopher @randomcha@mstdn.social

3 things about Jake VanKersen’s I AGREE WITH YOU [2025]

1. “Improv Frasier” and the terrible accent of the performer playing Daphne.
2. Roll of cookie dough.
3. “Get your flabby asscheeks in here.”

The image portrays two people lying in bed, covered by a large, blue duvet. They are facing each other, and one is reaching out to touch the other’s nose, creating a playful interaction. The person on the left is wearing a striped shirt, featuring dark green and purple stripes. The person on the right has long hair and is resting their head on a pillow with a pattern. The room has wooden flooring and there are bedside tables on either side of the bed. A pair of eyeglasses and books can be seen on the right bedside table, with a plant in the background.

#3things #movies #chicago

**Rob Christopher** @randomcha@mstdn.social · Feb 1 *

Feb 1 *

Rob Christopher @randomcha@mstdn.social

3 things about Yorgos Lanthimos’s KINDS OF KINDNESS [2024]

1. Tennis racket in plexiglass.
2. Either her leg or her liver.
3. Lick test.

The image shows a woman with light-colored hair in a braid, wearing a blue patterned shirt, sitting at a dining table. She extends a fork with a piece of food towards a man on the right. The background features large window panes, through which greenery from outside is visible. A table lamp is on the left side of the image, providing soft lighting.

#3things #movies #YorgosLanthimos

**Rob Christopher** @randomcha@mstdn.social · Jan 29 *

Jan 29 *

Rob Christopher @randomcha@mstdn.social

3 things about Alfred Hitchcock’s SUSPICION [1941]

1. “I’m honest because with you I think it’s the best way to get results.”
2. A game of Anagrams.
3. The car turns around and the film ends.

The image is a black-and-white still from a scene depicting two individuals seated in the front of an open-top car. The view is from the backseat, looking towards the windshield and the road ahead. The man on the left is wearing a suit and appears to be driving, while the woman on the right is wearing a hat with an intricate design. They both exhibit serious expressions. The background shows a winding road stretching into the distance, bordered by low hills and sparse vegetation. The scene has a classic, vintage feel.

#3things #carygrant #AlfredHitchcock

**Rob Christopher** @randomcha@mstdn.social · Jan 28 *

Jan 28 *

Rob Christopher @randomcha@mstdn.social

3 things about Yasujirô Ozu’s TOKYO STORY [1953]

1. There are only two camera movements in the entire film.
2. The young people are always telling them they must be tired; they aren’t, but nevertheless agree out of politeness.
3. “You may be happy while you’re still young. But as you become older, you’ll find it lonely.”
“I won’t get that old, so don’t worry.”

#3things #movies #japan

**Rob Christopher** @randomcha@mstdn.social · Jan 26 *

Jan 26 *

Rob Christopher @randomcha@mstdn.social

3 things about Steven Soderbergh’s PRESENCE [2024]

1. He points out that her approach to problems always seems to involve taking no action.
2. An unexpected reflection.
3. “Make good choices. The bad ones tend to affect you for the rest of your life.”

The image depicts a dimly lit bedroom with a young woman in the foreground, standing near an unmade bed. Her expression is neutral, and she is facing the camera. Behind the woman, an open wooden door reveals two individuals partly visible; one is reaching out towards her. The room is subtly lit, creating soft shadows, and a lamp can be seen on a side table in the corner. A large mirror on the right reflects part of the room and the lamp's light, enhancing the room's depth.

#3things #movies #HorrorMovies

**Rob Christopher** @randomcha@mstdn.social · Jan 25 *

Jan 25 *

Rob Christopher @randomcha@mstdn.social

3 things about Frederick Wiseman’s ASPEN [1991]

1. “I’m here to tell you, the way to grow old gracefully is to get cosmetic surgery.”
2. Brief appearances by John Denver and Ed Bradley!
3. The artist noticed which way the art world was going. Conservative. She switched from abstract expressionism back to realism.

The image shows a crowded outdoor scene with many people sitting and standing around several tables. The setting appears to be a social gathering or event. People are wearing casual clothing with some wearing jackets due to the likely cool weather. There are various colors visible in the clothing, including red, blue, and green hues. Most individuals are seated on red plastic chairs and are engaged in activities such as eating or chatting. The tables are rectangular and appear to have drinks placed on them, possibly cans or bottles. In the background, there are buildings with wooden and brick elements, suggesting a resort or vacation area.

#3things #movies #documentaries

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