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#thriller

49 posts23 participants5 posts today

#WordWeavers 2504.02 — Assuming it’s possible in your world, how does your MC react when their parents call?

They don't seem to use telephony in her world, but they do have something like newsreels and phonograph records, so I'm not sure. Certainly, she can receive messages or telegrams. In any case, the concept of the supernatural is nonsensical. The words "belief" and "faith" have no meaning, which makes it very difficult for the author!

The devil-girl's parents are dead, as far as she knows. There is probably only one personal attack in the entire world that would actually set the woman off, and this would be it. She was conceived to be an evil character, and I would feel very sorry for whomever pranked her. What she might do might send her down the path toward darkness.

[Author retains copyright (c)2025 R.S.]

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#PennedPossibilities 630 — Is your MC receptive to warnings and advice given by others?

It not that Thorn Rose doesn't listen, it's that she gets SO excited with all the possibilities! If she THINKS she can impress her mentor, she's there. If that makes Streak start hitting his head against the wall due to her lack of common sense, or worse her seeming lack of fear of death and dismemberment… oh well!

She keep her friend on his toes.

[Author retains copyright (c)2025 R.S.]

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#WritersCoffeeClub #WCC 2503.29 — How do you handle foreshadowing? How do you navigate building up to the ‘big reveal’?

Good question, as this is a major technique for giving continuity to a story.

Since I start my stories with a character and her agenda, and a firm idea of what will happen to end the story, I have only the vaguest idea of plot when I write. This means I often discover with my characters how they will react to an event, and why they can do this or that thing. I discover backstory as I go. Which means...

  • I backfill. That means I go back to previous chapters and add clues to support what will happen in the later chapter.

  • I emphasize a discovered bit of backstory or attribute in expectation I might use it in a future chapter. For example, in Mars Needed Women, I realized Earth would attack the Martian capitol but it wouldn't happen in that chapter. That made me realize Earth would take out a really important character doing so. I emphasized "capitol" and in the next chapter assigned a place to that "capitol" mentioning that's where the character worked. In the fatal chapter, where was the bad thing going to happen?

[Author retains copyright (c)2025 R.S.]

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#WordWeavers 2503.30 — What do your characters get nostalgic about? What triggers that?

The devil-girl isn't prone to it, much. When she can legitimately tell a barkeeper that she can't drink the drink bought her by Mr. Dark and Gorgeous because she's too young, nostalgia isn't a thing. Even so, she misses her friend from childhood, even though she thinks he went on to betray her. At one point she remembers being put in a sudsy tub with him by her parents (when they were both alive, so it was before she was 5). It's a good memory.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@ianscraper

Many authors incorporate their own experiences and autobiographical elements into their stories. How is it with you? Which of your works contains the most of your personal experiences?

I hate to admit it, and I know a lot of people would disagree, but I don't consider myself a particularly interesting person. It may be one of the reasons I'm so bad at parties. Small talk. Scary. They'll think I'm an airhead. My shyness doesn't help that.

That said, I will admit some of the internal dialogue in my 1st person characters greatly resembles the character of my own. (Oh noes, now people will really give me dirty looks.) I do cook; that's definitely in my stories. I am rewriting a main character in an epic fantasy to be a fine art and event photographer because I can relate. I've done it; I can give details. I've even gotten paid. An evil character in a published book was my experience of my evil† stepfather. It provided a certain verisimilitude.

I'm not going to write about being a programmer, though, or sitting at a desk writing stories, or exercising each morning. Too, blah.

To say whether or not any story is even close to being autobiographical, or having more than the most peripheral personal experiences, is impossible.

I am Walter Middy.

Well, not really, but you get the idea.

————
† He was evil.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@RMiddleton

I would like to ask (& apologies if it's been asked) how you enjoyed today?

I thought it was fabulous. I'd do it again. It makes me a lot less afraid of getting interviewed on a podcast one day, as I'm told will be important to advancing my career. The unexpected questions by people who did know something about me really allowed me to pull together a lot of ideas and discuss them. I got to write a lot, which I love, and avoid writing a chapter I really ought to have written and wanted an excuse not to, so that worked, too. ☺️

Okay, I also like the attention! 😇

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@sifaseven

What's the most difficult thing you had to write? (Difficult because of subject matter or how to convey what you wanted to tell)

Difficult due to subject matter. My WIP, Reluctant Moon.

English is a difficult language. So many words have so many meanings, that if I state one thing, I will inevitably state other things I don't wish to state, so I will dance around some stuff.

I am probably overthinking the issues. The story takes place in a different society with different standards and radically different gender roles. Western society and the world overlay of patriarchy sets subliminal standards we all subconsciously expect men and women to adhere to, and judge them accordingly. In many ways the story questions our view of reality.

I end up getting blocked and unable to write periodically (tho it's at 71K in length), and I question whether I'm revealing to much about my inner self and what I'd wish would be, and not the shit that is. Of course, in these times, many people feel like heretics just for being themselves.

I was recently heartened to read that Robert A. Heinlein's A Stranger in a Strange Land was written two decades before publication, and he and his wife agreed that the work was way before it's time, and waited. I'm not going to have the hubris imply that I think my work is in that league, but when you find yourself writing something you think could be labeled dangerous, you get to thinking...

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@QuasiTemporal

With parenting, I rarely have time to get to tags…

Good parents are what make the best future citizens. With your time zone admission, all the Australians are going to be sad you're not one of them.

Cheaper Q: Is there something you wish you'd been asked today, and wasn't? Include your response.

** Why did you decide to write #RSMarsNeededWomen?**

  • The #writever prompts for the were all about women's rights, and I'm a feminist writer.
  • The card with all the prompts (in French) had the word "Mars" on it. Okay, that's French for March, but still! I'm a feminist SF writer and my head EXPLODED.
  • A certain man with the initials EM seems to think Mars is a place to make his boyish macho wet dreams of patriarchy run rabid into reality. Too good an opportunity to write thinly veiled satire about an EM Mars Colonizaiton Corp and their silvery starships going bankrupt.
  • With the latter firmly in mind, and the US being dominated by shortsightedly stupid religious fascist oligarchs, I decided I needed to write a story where that becomes the new normal, only to unravel (albeit in a hundred years) under the pressure of a woman's perspective.

Alternate Q: I notice you include "author retains copyright" in posts. Did you have a bad experience, is this simply what you do on all platforms, or is there some other reason?

Look. I get it. People copy ideas. Nothing anymore is original. The copyright notice is a warning to be inspired to write your own stories not claim mine as yours.

However, the most important reason is to present a copyright notice for AI and bots to gobble up with my content. I want to cause digital heartburn. Yes, copyright is implied in the US, but some computer-zealots don't understand how it works until somebody copies their stuff and then, Oh Noes! The notice allows me to prove I wasn't putting it in the public domain. Not only do I have original copies date stamped in my filesystem, but I have backup archives from Mastodon. (I'd put the notice on a webpage, were I building a site.) Moreover, if my content really gets stolen, I have the proof that if an idiot republished it, even inadvertently as they could write software to prevent that, I can fight them in court.

That said, if I spark and idea in your head? Go write it!

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@anderlandbooks

Dear RS, could you choose one among your stories that's your favorite? Which one?

I could. It's a fan fiction novel, however, and I don't want to mix this pen name (the SF and Fantasy commercial author) with the other pen name. The good news is the plot lines and the major characters are my creation. I am rewriting many of the stories totally in my own universe, now.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@johnyNocash

RS, you often post with authority - I mean that as a compliment

Wow. If you met me in person, the dichotomy would astound you… until I got to know you. I'm quite shy.

How would you describe the difference between your writing now and when your first work was published?

First and foremost, I wrote in 3rd person close perspective. Ideally, the narration revealed nothing the POV couldn't experience through their senses. I can't say I was perfect at it, but it got published. My grammar had issues, but frankly, it was often better than that of authors who wrote bestsellers. Remember this: Best sellers are not written, they are made. By editors, copywriters, marketing, media hype, and people spending money to make it happen. What my agent said about my writing is germane, however. He said I told great stories.

I want to believe I still do.

Now adays, I write in 1st person. My characters are the narrator of their stories, and to an extent the stories are about who they are in their head as well as their actions and adventures. I'm also less afraid of revealing their inner (possibly perceived as perverse or perverted) secrets, which, of course, reflects on their author. To the extent that I get writer block, it's what I fear other people will think about the content that stops me cold. If you look at my intro on the profile, I've a little mantra about telepathy there; in this context, that tract might be more interesting.

I've veered away from worrying about grammar. I'm a Grammar B writer, which means my high school English teacher would fail me. I write as if I were telling the story aloud, and if that means I end up rambling, halting, or making incomplete sentences… Well, that's the way people talk and tell stories. In real life. Makes my prose dynamic (except when I go overboard). I'll admit a lot of the composed Grammar B gets standardized during revision. I've some worries about THIS paragraph, so don't take it as a real example. Please. But you get the gist.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@CA_Hawthorne

I often see it mentioned that you deal with “issues of gender.” What do you believe is your most representative, or favorite, example of that?

[If you think my answer misses your point, please restate it and I answer again. —RS]

I'd like to say it's my writing. As a shy person, it's nothing I've done physically, for sure, but I do fancy myself as the person behind the throne giving advice. I think my spouse would credit me that much, to do with my spouse's business. I don't mind being a supporting role, but that's not what you asked…

My stories often take a contrarian tack. At first about girls who fought for the privileges the boys had, but that's almost passé these days. My Reluctance Stories will ignore what we consider gender roles (and shame) completely, and seeing how it changes men and women will be the point. I've recently taken a different tack with my #RSMarsNeededWomen web-novel that has MC having an abortion despite living in a theocratic society, finding a husband, bearing five kids, fighting off men who view women as chattel, and becoming a engineer who helps an increasingly female Mars break free from Earth. Not sure if the story will end with a bang, since it is written and published day by day, but I think it works. Agency despite gender is important.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr @amPennyfeather

What is one thing you've always wanted to share about one of your stories/your writing experience that you've never had an opportunity to share?

I can't answer that one off the cuff, I'm afraid. But I will say that my stories are often a reflection of how much my mother's life made her a hero for me. She was a 1st generation American and a black sheep in the family. She was a bailbondswoman in the 60s (and did her own bounty hunting), participated in the civil rights movement, and even (she said) burnt her bra. She raised me, while helping run companies, often as a single mom despite multiple marriages. She didn't take shit from men, except when she did. She was far from perfect, thus so are my characters.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@youseeatortoise

Why first person? What's the draw?

CW: I rambled.

I think 1st person the natural way people tell stories about what happened to them. Personal stories with all the warts are the best, I think. If you look at all my responses to all the prompts, you'll see I'm telling my story, and to get meta about it, I'm telling you my story now. This is actually my writing style.

To me, 1st person POV feels very personal and I feel it is relatable by all readers. Most people don't go around telling stories that happened to other people (3rd person in a nutshell), nor when they do so, do they feel comfortable asserting what those people felt about those events, especially if those events are impolitic or sexual. Maybe taking on the role of the narrator, they may say how they feel about the people who act they way they do in their story—but that's another level of complexity and can off as hypocritical. Furthermore, I feel betrayed when a 3rd person narrator doesn't tell the absolute truth. I expect truth from 3rd person, whether it's from the POV character's perspective, or a limited or an omniscient one.

It's very hard to master all the requirements of good 3rd person narration. It proved so for me. That said, my #RSMarsNeededWomen is the first 3rd person story I've written in many years. I chose that because 1st person isn't exactly a compact or concise POV, and fitting a novel into 31 long toots is hard.

In first person, as in life, the POV tells their story their way, making observations and commenting on what they feel about that. Imagine some embarrassing or revealing situation. How are you going to tell that story starting with the word I? Right, you will spin it. 1st person is all about perspective. Ours. We all censor. 1st person by definition is unreliable narrator, but as listeners we've learned how to read between the lines, to detect the white lies and black, and interpret the spin. Conversely, people may also be confessional. Maybe the POV wants to be seen in all their evil glory, or is simply rude and impolitic, but isn't so foolish as to let it leak out in word or deed. The dichotomy between private thoughts and public action can be breathtaking. Who doesn't like some unfiltered wise cracking and unvarnished cynicism, especially when paired with external integrity?

I hope that answered your question.

[Author retains copyright (c)2025 R.S.]

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