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#LetterboxdFriday

28 posts27 participants0 posts today

It’s #LetterboxdFriday again!

This week:

Sing Sing - a rewatch of one of my favourite movies this year, so my husband could see it too. He loved it as much as I did.

Oklahoma! - it might be damning with faint praise to say at least it didn’t throw me into a rage like Seven Brides for Seven Brothers, but this was fun, with good songs, yet I doubt it’s one I’ll feel the need to return to

Nosferatu (1922) - great fun, totally in every way an adaptation of Dracula, with some excellent visuals. We watched the one with the Kino soundtrack, I think and that was excellent.

The 39 Steps (1935) - Hitchcock’s first run at this one lacks suspense, but is still very enjoyable. Although the disguise ability of the bad guy was talked up without ever being shown.

Happy #LetterboxdFriday !

Most importantly, Weapons was fantastic! Top ten on the year, with lots to say. Definitely deserves a rewatch.

Strange Harvest was a good idea that couldn't support a feature.

She Rides Shotgun doesn't establish its intent, nor follow through on what it establishes. Although John Carroll Lynch as a white supremacist is outstanding.

Been catching up on the Muppet movies, and found that "from Space" is in fact as bad and criminally unfunny as people say.

To follow up on my post from three weeks ago...I still don't think the #LetterboxdFriday hashtag has a distinct purpose. It usually trespasses upon the #LastFourWatched hashtag.

So my novel use for it today is to publicize one of my finest Letterboxd lists, named "Apt and succinct quotes from Letterboxd reviewers":

• It includes 500 movies and 500 quotes from fellow community members.

• It provides more than 500 links to content from those members.

• 10 years in the making!

Hope you enjoy.

Who do you believe has the best movie review quotes on the list? I'm partial to tectactoe a.k.a. Tony (tectactoe). Note that they're in alphabetical order, to some extent—see the directory at the top of the list.

#movies
#Letterboxd

letterboxd.com/83landrover/lis

letterboxd.comLIST NUMBER 25 -- Apt and succinct quotes from Letterboxd reviewers.Please see the list view, a.k.a. "notes", for some brief, wise, articulate Letterboxd review excerpts. Including links to the full reviews if available. Those full reviews aren't necessarily endorsed, though ... just the excerpts. It definitely helps to be familiar with the listed films, in order to appreciate the aptness of their corresponding review quotations. Some quotations are funny. The majority are serious. Many have spoilers. QUOTED IN 2015 -- Adam Cook on NON-STOP / Mark Asch on JUPITER ASCENDING / Mike D'Angelo on HEAT / oobawa on BOYHOOD / Peter Labuza on BORN ON THE FOURTH OF JULY /…

#LetterboxdFriday #LastFourWatched

Francisca – Exquisite 1981 period drama from Manoel de Oliviera, in which, as usual, we discover that men are trash. The artificiality of the performances and the actors’ delivery is hypnotic. The sets and production design are spectacular. I watched it in Portuguese (a language that I might be able to book a hotel room in over the phone, at a push), with French subtitles (a language that I definitely could book a hotel room over the phone in, but not, y’know, translate Rousseau or Balzac or whatever).

The Meyerowitz Stories (New and Selected) – Catching up on the Noah Baumbach films I missed when I thought I didn’t like Noah Baumbach films. Men are trash pt 2. Stand-out performances from Adam Sandler, Ben Stiller, Dustin Hoffman, Elizabeth Marvel, and Emma Thompson. It's very funny. (I tried to watch White Noise last night but had to switch it off 30 minutes in becasue I wanted the talking to stop.)

Late Shift – Film of the week with best performance of the week from Leonie Benesch as a nurse on a late shift in an understaffed Swiss public hospital. We simply follow her trying to juggle all the demands of the patients and staff during her shift, as things become increasingly stressful. There are beautiful moments of real empathy. Essential viewing.

Matria – Another pretty stressful film with a great central performance, by Maria Vásquez, as we follow the hand-to-mouth struggles of a woman in a Galician fishing village trying to scrape together money to ensure her daughter can go to college. Deftly handled, on the whole, with a fair bit of humour.